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From the great shrines dedicated to michael the archangel at mont-st-michel and monte garano to the elaborate metaphysical speculations of the great thirteenth-century scholastics, angels dominated the physical, temporal, and intellectual landscape of the medieval west. This book offers a full-scale study of angels and angelology in the middle.
This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volume’s organisation emphasises the multisensoriality.
Sensing the image: gender, piety and images in late medieval tuscany to kiss the altar, or the sacred stone, chalice or paten, and reminded his listeners that.
Sound—whether thunder or psalmody—plays a role in the formation and perception of the sacred. Religions acknowledge the importance of sound, manifested in the voice of god, the call to prayer, collective chant, and other profound ways. Sound unifies communities in sacred worship and affirms sacred hierarchies.
7 dec 2012 in her essay on medieval sacred space, laura gelfand offers her take on a different, though related, paradox about intimate knowledge: though.
Contributions: andrew albin andrew albin is associate professor of english and medieval studies at fordham university. His scholarship in the fi eld of historical sound studies examines embodied listening practices, sound’s meaningful contexts, and the lived aural experiences of historical hearers—in a word, the sonorous past—as an object of critical inquiry.
Remote-sensing techniques have revealed the buried ruins of iron age temples and medieval structures in northern ireland.
Judaism - judaism - medieval european judaism (950–1750): despite the fundamental uniformity of medieval jewish culture, distinctive jewish subcultures were shaped by the cultural and political divisions within the mediterranean basin, in which arabic muslim and latin christian civilizations coexisted as discrete and self-contained societies.
She has presented papers at the 2013 sensing the sacred conference in york, borderlines (qub and trinity college dublin), the belfast bright club, the common ground postgraduate conference and the school of english medieval cultures series.
Panel 2: sensing medieval parish churches chair: dr kate giles (university of york) anthony masinton (university of york): perceiving the presence of god in the late medieval parish church welleda muller (université paris-sorbonne): sensing the sacred in medieval choir stalls.
The senses and the seventeenth-century english conversion narrative.
13 apr 2018 this volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early.
The sacred is born in the ˚rst cry of a child emerging from the womb, western medieval, islamic and renaissance temples, churches, and “sensing sacred.
All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading.
2 the five senses in the ecclesiastical context of the middle ages 25 the ear enjoys the harmonious chant of a sacred psalm; it also likes the song of the minstrels.
Murphy, and elizabeth swann, eds, sensing the sacred in medieval and early modern culture (abingdon:.
The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-.
Liturgical drama, in the middle ages, type of play acted within or near the church them part of the wave of anti-jesuit feeling that grew in the mid-18th century.
The articles published in this volume aim to contribute to the art historical debates on the role of visual culture within medieval rituals and how the latter were experienced bodily. The studies focus on the essential importance of movement within medieval religious practice and its impact on production, conception, perception, and use of artistic objects and architecture in the middle ages.
(2013), 'a taste of spirituall things': spirituality and sweetness in early modern devotional literature, sensing the sacred: religion and the senses, 1300-1800.
Little remains of the rich visual culture of late medieval english piety. Forests is perceptible through remote sensing data based on practices such as sacred landscapes/groves, gumpa.
20 may 2018 sensing the sacred in medieval and early modern culture.
This book illuminates the pervasive interplay of 'sacred' and 'secular' phenomena in the literature, history, politics, and religion of the middle ages and early.
The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change.
This chapter explores the important place the senses held in fifteenth-century religious life in much of contemporary northern europe. It explores the premises that underpinned how god and the sacred were sensibly manifest to believers, what kinds of sensory experiences of the sacred this allowed in late-medieval christianity, and what such sensing did to english churchgoers.
In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred.
Touching books, touching art: tactile dimensions of sacred books in the medieval west.
Sensing the sacred in medieval and early modern culture book launch reception sensing the sacred.
Paper delivered by dr ellie pridgeon at sensing the sacred conference, university of york. May 15th 2013 – culture and art: the italian renaissance course delivered by dr ellie pridgeon at sarum college, the close, salisbury.
3 feb 2021 the architectural sacred space of medieval monastic buildings is well remote sensing, geophysics and small-scale excavation, along with.
Beginning, feeling its way, and not finding its way till the renaissance. Medieval christians believed that the events of the bible, the events of sacred history,.
“eve in ancient syriac liturgy”, medieval studies program, harvard university, sensing the sacred: bodily experience and religious knowledge in late.
Sacred blood and the french mystery plays, that the medieval theatre was a place where the of a mother's feeling for her child, for there is the implication.
(2018) 'sensing the sacred in medieval and early modern culture.
20 jun 2013 sacred: the senses, perception and material culture in the later middle panel 2: sensing medieval parish churches chair: dr kate giles.
Medieval parish church welleda muller (université paris-sorbonne): sensing the sacred in medieval choir stalls ellie pridgeon (university of leicester): audience and imagery: sensory experience and gesture in the medieval parish church.
Catherine lawless abstract the florentine dominican preacher fra giovanni dominici (1355–1419) warned his female reader of the dangers to which the senses, and sight in particular, exposed the soul, reminding her of how eve was led to sin by looking at the apple, samson by looking at delilah, and david in looking at bathsheba.
The final chapter, ‘sensing non/human agency in william caxton’s methamorphose’, analyses three medieval versions of ovidian myths which concern transformations between human, ivory and stone. This chapter focuses on the powers that generate becomings and studies how nonhuman matter can connect the human body to the power of chaos.
1 dec 2020 arvo pärt: sounding the sacred focuses on the representational sacred texts, and spirituality in pärt's music; and it positions sensing,.
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